History-Singers-Home-Composers-Songs-Search-ShopThis site is devoted to traditional African American spirituals, and some information is given about the early Gospel songs. The parts of this site are:History, how the spirituals change is linked to the History of African AmericanSingers at various periodsComposers during and after the slavery periodSearch gives the lyrics of over 200 traditional spiritualsShop to acquire books and records of spirituals Before 1865The tunes and the beats, before 1865The tunes and the beats of negro spirituals and Gospel songs are highly influenced by the music of their actual cultural environment. It means that their styles are continuously changing.The very first negro spirituals were inspired by African music even if the tunes were not far from those of hymns. Some of them, which were called "shouts" were accompanied with typical dancing including hand clapping and foot tapping.SHOUTSAfter regular a worship service, congregations used to stay for a "ring shout". It was a survival of primitive African dance. So, educated ministers and members placed a ban on it. The men and women arranged themselves in a ring. The music started, perhaps with a Spiritual, and the ring began to move, at first slowly, then with quickening pace. The same musical phrase was repeated over and over for hours. This produced an ecstatic state. Women screamed and fell. Men, exhausted, dropped out of the ringSome African American religious singing at this time was referred as a "moan" (or a "groan"). Moaning (or groaning) does not imply pain. It is a kind of blissful rendition of a song, often mixed with humming and spontaneous melodic variation.The lyrics before 1865In the early nineteenth century, African Americans were involved in the "Second Awakening". They met in camp meetings and sang without any hymnbook. Spontaneous songs were composed on the spot. They were called "spiritual songs and the term "sperichil" (spiritual) appeared for the first time in the book "Slave Songs of The United States" (by Allen, Ware, Garrison, 1867).As negro spirituals are Christian songs, most of them concern what the Bible says and how to live with the Spirit of God. For example, the "dark days of bondage" were enlightened by the hope and faith that God will not leave slaves alone.By the way, African Americans used to sing outside of churches. During slavery and afterwards, slaves and workers who were working at fields or elsewhere outdoors, were allowed to sing "work songs". This was the case, when they had to coordinate their efforts for hauling a fallen tree or any heavy load. Even prisoners used to sing "chain gang" songs when they worked on the road or on some construction project.But some "drivers" also allowed slaves to sing "quiet" songs, if they were not apparently against slaveholders. Such songs could be sung either by only one soloist or by several slaves. They were used for expressing personal feeling and for cheering one another. So, even at